Let us dispense with euphemisms and call a spade a spade.
I won’t call it forced seduction. Or deflowering. Or taking advantage. Or inappropriate behaviour. Or worse, having sex. Or…any other term people invent so as to avoid to use the r word at any cost. It doesn’t sound pleasant, does it? Well, it’s RAPE with capital, bold letters. And it sounds exactly the way it’s supposed to: criminal, sick, freakish, monstrous.
The mere sound of it should produce a visceral reaction. And if it doesn’t, we should be greatly alarmed.
I won’t pass into the legal territory of all the details of what constitutes rape. We know what it is: a type of sexual assault usually involving sexual intercourse or other forms of sexual penetration carried out without the person’s valid consent due to various reasons (either because one is blackmailed or coerced or afraid or incapacitated or physically…
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This posts shares some of the lore associated with Annwn. Awen, the divine breath of inspiration, is seen to originate from Annwn. Also included are passages about initiation, death and rebirth, and the soul.
‘Let’s approach God who is
– according to the utterance of Talhaearn –
the true judge of the worth of the world,
the One who adjudged the qualities
of passionate song.
He with his miracle bestowed
there are 140 ‘ogrfen’
in each one.
In Annwfn he ranged the (divisions of inspiration),
in Annwfn he made them,
in Annwfn below the earth,
in the air above the earth.
There is one who knows
is better than joy.
I know the set gradations
of inspiration when it flows;
(I know) about payments to a poet,
about propitious days,
about a joyful life,
about the aeons of the fortress,
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This post begins to list the inhabitants of Annwn: deities, guardians, otherworldly animals who move between the worlds, and denizens regarded as monstrous. It’s notable that many of these Annuvian figures are opponents of Arthur and his warband who are hunted down and/or slaughtered.
The Head of Annwn
‘The cauldron of the Head of Annwn, what is its disposition
(with its) a dark trim, and pearls?’
– The Spoils of Annwn, The Book of Taliesin, (Haycock transl.)
‘He (Pwyll) could see a rider coming after the pack on a large dapple-grey horse, with a hunting horn round his neck, and wearing hunting clothes of a light grey material…
“Lord,” said Pwll, “good day to you. And which land do you come from?”
“From Annwfn,” he replied. “I am Arawn, king of Annwfn.’’
“Lord,” said Pwyll, “how shall I win your friendship?”
“This is how,” he replied. “A…
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I had a that dream,
Again last night.
I cannot sleep.
It’s getting light.
It’s getting cold.
I’m feeling low.
I’m sinking through,
The sheets below.
And yet my mind,
It still can race.
It surely has,
A wicked pace.
It surely is,
A vicious fiend.
Oh who am I
To question me?
Sharing this post marks the beginning of my attempt to document the references to Annwn, the Brythonic Otherworld, in the core texts of medieval Welsh literature. Its aim is to build a picture of what is known about Annwn; its places, inhabitants, and the bardic lore that surrounds its mysteries. I believe this is important because Annwn is not only a magical place immanent within the British landscape, but the land of the dead. Growing to know Annwn in life could aid our passage into death.
The existing sources provide signposts by which to begin our own explorations. I have included both references that speak of Annwn explicitly and those that do so implicitly. The latter can be identified by markers such as the appearance of guiding animals, spatio-temporal distortion, extremes of beauty or ugliness and feelings of intense joy or terror. It’s worth noting that many places in Thisworld…
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